Opening your takes in Edit
The two doors into the edit page, what the page holds, and the one decision it can make.
The canvas
The photograph in the middle of the page, the lines written over it, the three sizes, and zooming under the pointer.
The strip and the track
The row of takes along the bottom of the page, the track under it, and knowing where you are among the takes.
Before/after, and the whole screen
Splitting the photograph against the untouched original, and putting a take on the whole screen.
Looks and film simulations
The six film simulations, the twenty-four looks that ship with the app, choosing one, and saving your own.
Carrying a look to other takes
Putting one take's settings onto every take, or its look onto the frames the cull measured as similar.
Carrying settings to other takes
Copying chosen settings from one take, then pasting them onto another or syncing them to a set of frames.
Undo, Reset all, and where edits are kept
Taking a step back on the edit page, clearing a take, and the file beside each photograph that holds every adjustment.
When edits cannot be stored
What the edit page does on an Earlier library, on a read-only account and on a frame whose photograph lies outside the library, and the success messages that are not true there.
The develop panel in Single
The small develop panel that Develop opens beside the photograph in Single, with six film simulations, eight sliders and Reset, and what it leaves to the edit page.