The cull page
What is on screen when a library opens, part by part, and where each thing you will reach for lives.
Single and Frames
The two ways of looking at the same pass, how to move between them, what Single shows, and what happens when a pass is empty.
Frames
The whole pass as a contact sheet — what a cell shows, clicking and deciding there, resizing the rows, and opening a stack in the Stack Resolver.
Take, Hold, Reject
The four states a frame can be in, the keys and buttons that set them, auto-advance, undo, and a note on why.
Reject and the bin
What Reject does to a frame, how to look in the bin and bring frames back, and the one action that deletes a photograph.
Compare
Two photographs side by side, the frame you are on and the best other frame Vixlo can find, to help you choose between them.
How Compare chooses and measures
Which frame Compare puts at the right, what the sharpness figure on each card means, and what the line under the pair says.
Moving through the pass
Stepping from frame to frame, the strip and the track under the photograph, the position readout, and what happens at the end of a pass.
The pass holds still
Why a frame you decide stays where it is in the pass, how a pass grows at its end, and what comes back when you reopen a library.
Zoom and the focus check
Looking closer in Single, the Focus check and the Z key, what the magnification label means, and the loupe in Frames.
Full screen
The photograph filling the whole screen with the cull still live under your hands, and the played gallery.
The ⋯ menu
Every row of the menu at the right-hand end of the views line, what it does and where it is covered, and what the Photo sources dialog shows.